CAPTURING AN EXACT EXPRESSION Aysha Miah-Edwards is a British illustrator specialising in portrait drawings. Using pencils, markers, a little bit of photoshop and occasionally some words. “In the day, I work unassumingly in publishing, but my passion lies in illustration. Give me my sketchbook and a plethora of pens and I’m very content! I’ve always […]
A MOODY SURREALISTIC UNIVERSE Wrapped in a moody surrealistic parallel universe, Max Löffler’s – or Loeffler – illustrations can be seen as a sullen and bitter smirk towards the obscurity, monotony and ferocity of everyday life. His work does not give plausible answers, but tries to ask significant questions such as; are you hurt, what’s […]
HYPNOTIC CARTOONS Nicolas Fong is a Belgian illustrator and animator. He studied at La Cambre arts visuels and he worked for the animation studio Sinematik, collaborating in the making of music videos and animated series. Nicolas creates also GIFs: they are a mix of animation and cartooning, between humor and macabre. Skulls, snakes and tongues […]
ENCYCLOPEDIA OF STRANGE ANIMALS Combining both digital and traditional tools, VLAD Stankovic admits he’s more fond of the latter, employing watercolors, colored pencils, and markers. “With the use of traditional techniques I kind of get the results I want in the fastest and most fun way,” he says. The finishing touches are added digitally. The […]
DYNAMIC LINES AND FORMS Ariadna Sysoeva has a truly creative approach to the figurative design in her work. She has a keen talent for extending the natural movements of the human form to instil a sense of movement and energy. By playing with the proportions of various parts of the body, stretching out the lines […]
AN EXPRESSIVE IMAGINARY Olivier Bonhomme, graduated from the Ecole Emile Cohl (Lyon, France), is working as an illustrator and art director. He co-founded in parallel the BK studio in 2012 in which he produces digital art research facilities and devices for applying the image to the scene. Big fan of jazz, saxophonist past twenty years, […]
