AN EXPRESSIVE IMAGINARY Olivier Bonhomme, graduated from the Ecole Emile Cohl (Lyon, France), is working as an illustrator and art director. He co-founded in parallel the BK studio in 2012 in which he produces digital art research facilities and devices for applying the image to the scene. Big fan of jazz, saxophonist past twenty years, […]
FEAR: THE WORST OR THE BEST ALLY Fear can be the best friend or the worst ally of a person. The Polish artist and graphic designer, Dawid Planeta, has transformed his fear, or rather his depression, in illustrated animals with eyes full of lights, apparently frightening, huge animals, whose eyes hides something more than a […]
BEAUTIFUL DARK TWISTED FANTASIES Henn Kim describes her illustrations as “beautiful dark twisted fantasies.” And they are. She depicts powerful stories using just black and white lines, juxtaposing objects in unusual ways. Some themes reappear, such as nature, space, relationships and hazy depictions of young women. Henn’s ability to capture complicated emotions in her illustrations […]
WHAT IS HIDDEN BENEATH THE SURFACE Being raised as an only child of parents two generations older allowed Bonni Reid plenty of time for discovering all of the skeletons in the closets. She is still discovering, recording and referencing them today. Combining her knowledge of illustration and cartoon-friendly sense of humour with a love of […]
EROTICISM AND OCCULTISM Renzo Razzetto creates pen and ink collage style illustrations using the inking technique called ‘stippling’ — a method of inking in which hundreds of thousands of very fine dots are used to create texture, shading and other optical illusions. The recurring themes in his work are eroticism, horror and the occult, which […]
THE DECADENCE OF BEAUTY Adolfo Arenas Alonso studied at the Faculty of Fine Arts in Seville, began specializing in drawing and ended up obsessed with it. His work focuses on the decadence of beauty accompanied, of a taste for the vintage look, all characters hide a feeling that were something at the time and now […]
