AN ABSTRACT VISION Rike Kellermann is a young artist from Cologne, Germany. She combines traditional painting with digital photography and digital painting, usually in an abstract way. For Rike, art is the best way to express herself and that is why most of her work is inspired by own emotions and feelings. She developed a […]
NO SYSTEM, NO SYSTEMATIZATION… Anthony Gerace is a Canadian artist residing in London. His work is primarily concerned with the effect of time on objects and images: “Collage is, traditionally, a medium resistant to systems. The overarching conceit of the form, that of taking images of the past and reconfiguring them into new artworks, seems […]
THE HUMAN FACE FOR PROJECTION The human face, long a medium of expression for the soul, is used by Japanese photographer Miki Takahashi as a surface for projection. Through double exposure, the Toyko-based artist allows portraits of herself to reveal her inner feelings. The merged cityscapes of her “Inside” series become vessels of feeling, emotion, […]
HAND EMBROIDERY AND PHOTOGRAPHY Chilean artist Juana Gómez’s hand embroidered photographic canvases combine the spheres of scientific exploration with ancestral tradition. Weaving complex scientific and mythological patterns onto images of both her own and her daughters’ bodies, her work is interested in placing mankind within a broader context of interconnectivity. Rather than seeing us as […]
DEPENDING ON THE MOOD… Caryn Drexl: “I am completely self taught. Everything I know I learned through trial and error or the internet, starting back when I was a teenager and taking off more fully in my early 20’s. This whole thing really started as an emotional and mental outlet for me, therapy really, and […]
A NEW BEING IN EACH PORTRAIT Angelika Ejtel: “I consider my photographic creation as a poetic experience in which I drown and infuse myself and, as a result, it gives me the feeling that I am reborn with each portrait into a new being. Although, all of my photographs are self-portraits, they shouldn’t be necessarily […]
