THE COLLAGE OF THE FUTURE! Eduardo Ramón is based in Mexico city and practices a photomontage style similar to that used by Alexander Rodchenko, credited him as an influence to his designs. Eduardo’s style consists of making photomontages with different images along with adding grainy textures to the whole design. His choice of using medical […]
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TRANFORMING A SINGLE MOMENT TO A PIECE OF ART Aesthetical neo-romanticism of photoartist Vladimir Clavijo-Telepnev leaves the spectator with romantic impression of complicity with aesthetics of the Silver Age. His art is a denial of commonness and understanding that only the artistic flair and style allow to transform a single moment of a real life […]
THE MAJESTY OF EMOTION Javier Marín is a Mexican sculptor. During his artistic beginnings he used only clay, but shortly after, he began incorporating bronze and experimenting with new materials. Polyester resin mixed with various organic ingredients like tobacco, soil, amaranth seeds, rose petals and dry meat fibers became familiar aspects of his work. His […]
[DOGFACED 360°] MACABRE AND NUANCED ANIMATIONS Stas Santimov: “Most of all my art style was influenced by animation directors Priit Pärn, Bill Plympton, Igor Kovalev… I almost do not make sketches/character designs and keep all needed visual stuff in my head; except when I work in a team with other people and I need to […]
REALITY AND FANTASY Luis Enrique Toledo del Rio was born in Santa Clara, Cuba. Toledo del Rio considers his creations a form of magical realism, evoking dreams, fantasy and magic through the use of color, light, shadow and space. Toledo del Rio achieves, “…dreamlike atmospheres where reality and fantasy intertwine to show a different world.” […]
A SURREAL NEOCLASSICISM Alessia Iannetti inherited his skilful technique of graphite on wood panel, and the “stigmata” of the most fascinating contemporary illustration which can be seen both in her perspectives and in her cinematography framing, made of blacks and whites, and of endless shades of greys, restoring the perfection of depth to monochrome and […]
